fastidium

Neil Gaiman’s Neverwhere is in part a satire about the state of homeless people in London as well as an example of the distinction between the optional and the real.

The arrival of David Beckham has brought attention to a sports league on the verge of either a slow descent into oblivion or a steady growth into the American sporting landscape.

The opposite of real isn’t phony or illusional or fictional — its optional.